Early female brass bands in Australia: they were rare but they made their mark

Introduction:

If one were to read various articles or histories of brass bands or view photos from a period from 1900-1950’s, they would notice an almost total lack of material relating to women playing brass instruments.  This is not to say that women were not involved in brass banding with the many women’s’ auxiliaries supporting bands.  However, when women did play brass instruments it was reported very differently to male brass bands.  It did not help matters that some articles from newspapers were patronising in tone and that female brass bands, when they were formed, were treated as a novelty – until they started playing!

It was a different time, and in the period from 1900 to the 1950’s society was in almost constant upheaval with two world wars and the Great Depression to contend with.  However, people craved things that were familiar to them so in some cases where male brass bands were not available, a female brass band was formed.  The Salvation Army was at the forefront of female brass bands but even their bands were treated as a novelty.  What is evident from research is that there were pockets where female brass bands were welcomed, but in other quarters attitudes were hard to shake.

This is an aspect of Australian band history that is probably not well known, however, it is important to recognize the fact that while female brass bands were rare, they certainly made their mark and paved the way for more females to join bands in the latter half of the last century.  The story here will cover some of the more notable female brass bands that were formed, and some personalities.  Yes, there was some underlying sexism, and this will be touched on – we wonder at these attitudes today.  These historical pictures and articles tell an amazing story of life and from this we can see the achievements of female band musicians.

Unfortunately, there appears to be no definitive list of female brass bands in Australia. However, due to the rarity of female brass bands, others have attempted to create a listing and the list by Gavin Holman has included the more notable Australian female bands (Holman, 2018).  Hopefully in the near future a more substantial list will be produced.

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Photograph of the Streaky Bay Ladies’ Brass Band, 1933

Enter the Salvation Army:

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Daily Telegraph, 1905, p. 8

The Salvation Army have always been well-known for the quality and musical standard of their brass bands, and this reputation has stretched back for many decades.  So it was near the start of the 1900’s that the Salvation Army, having run male brass bands for many years, started a female brass band and it is from this decision that the Daily Telegraph publishes an article in 1905 with a patronising headline (“AN AMAZON BRASS BAND.,” 1905).  This is but one early example where the formation of a female brass band is treated as a novelty, despite being formed by the Salvation Army.  As can be read in the article, part of it focuses on the uniforms the members will be wearing, but nothing on the women playing instruments.

This band is taken on tour and is used as a demonstration band in various towns and cities.  On the 8thof February, 1906 the Barrier Miner newspaper covers the visit of the “Austral Brass Band” to town and the article is a perfect display of attitude giving way to admiration (“THE AUSTRAL BRASS BAND.,” 1906).  As the reporter has written,

Some curiosity has been aroused by the advent in Broken Hill of a ladies’ brass band having for its name “The Austral” and being comprised of 21 lady performers dressed in Salvation Army costume.  As these bandswomen took the tram to the southern suburb last night, many observers speculated on what their bright faces must suffer when puffed up at the end of a bass instrument or when trying to sustain a long passage on the cornet.

From the opening number is was easy to see that the Austral Band is one that is worth listening to.  The bandswomen do not stand when rendering a selection, but are seated in four rows, and seem to exert themselves no more than is absolutely necessary.  The effect of the music in the piano passages is much sweeter and less masculine than a men’s band, while the forte portions of the selections are surprising in their volume of sound.  The attention to time and harmony which was evinced in last night’s performance discloses the long training which the Austral Band must have been through under a good master.”
(“THE AUSTRAL BRASS BAND.,” 1906).

Very much an article of two halves and the language is varied.  Unfortunately, the perception that females should not be playing brass instruments due to the aesthetics of playing is one that is published occasionally, as will be seen in a later article.

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Salvation Army “Austral Lasses” Band, 1906

Around the States, but mainly in South Australia:

The formation of female brass bands was not consistent across Australia and it is evident that in some States the idea of female brass bands was not supported.  Nevertheless, it is interesting to note where they formed (and which bands they were).  Holman (2018) has listed these bands as having existed in the time period from 1900-1950:

New South Wales:

  • Silver City Ladies’ Brass Band (Founded in 1940)
  • Sydney Ladies Brass Band (1930-1945)

Queensland:

  • Brisbane Ladies Coronation Brass and Reed Band (Active in 1940)

South Australia:

  • Burra Cheer-up Girls Brass Band (Founded in Nov. 1915)
  • Clare Girls’ Band (Active 1914 – 1918)
  • Largs Orphanage Girls’ Brass Band (Active from 1921)
  • Streaky Bay Ladies’ Brass Band (Active from 1919)

(pp. 71-73)

As can be seen by this list, South Australia had an amount of female brass bands during this time and as Holman has written that this was mainly due to bandsmen enlisting in the armed services for WWI, and the women stepped forward to form bands (Holman, 2018).  Certainly this was the case for the bands from the towns of Burra and Clare (Sara, 2014).  The Streaky Bay Ladies’ Brass Band was formed in 1919 and built themselves up over many years (“A LADIES’ BRASS BAND.,” 1919).  The Largs Orphanage Girls’ Brass Band is interesting as it was obviously formed in the same manner as other orphanage band, although by looking at the photo in their article they included woodwinds as well (“WEEK’S PICTURES,” 1923).  The playing from this orphanage band was well regarded and appreciated (“THE BRIGHTON CONTINENTAL.,” 1922).  The photos below attest to the presentation and demeanour of these ensembles.

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Courier-Mail, 1934, p. 10

Both New South Wales and Queensland had female bands, but these were formed much
later than the bands in South Australia, although obviously the Salvation Army female band is an exception.  The Silver City Ladies’ Brass Band was formed in Broken Hill in 1940 and the Brisbane Ladies band was formed around the same time (“Concert To Mark Formation Of Women’s Brass Band In City,” 1940; Holman, 2018).  On a side note, it is the idea of a female band forming in Brisbane that brought out another bout of sexist (and instrumentalist?) behaviour in the media with the publication of a letter in a local newspaper in 1934 (“That Ladies’ Band,” 1934).  As can be seen by the article, the language says it all and mirrors that of the writing from 1906 – old attitudes don’t seem to go away.  In later years, as mentioned in a previous blog post, a girls’ brass band was started at Balranald High School and a picture of them is in this article from 1949 (“GIRLS and a BRASS BAND,” 1949).

The story of the Sydney Ladies’ Brass band will be brought up later in this post as it has a special story which is interlinked with a story from Victoria.

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Clare Girls’ Band, 1914
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Brisbane Ladies Coronation Brass and Reed Band, 1940
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Silver City ladies’ Band, 1940

Female bands in Victoria?:

Victoria has long been regarded as a centre of bands however when it came to female bands there was a distinct lack of progression.  Through research it appears that the first real proposal for starting a female brass band appeared in 1937, which is late compared to South Australia (“LADIES’ BAND PROPOSED,” 1937).  One could perhaps view this as a battle against bandsmen conservatism.  However, in amongst this came the remarkable story of Hilda Tansey who eventually became Australia’s first recognised female band conductor (Bound for Australia, 2014).

The cited blog post outlines much of Hilda’s life in brass banding. In summary, Hilda learnt brass from her father and travelled with her father around Victoria (Bound for Australia, 2014).  Her father (who was a noted bandsman in his own right) eventually became the bandmaster of the Traralgon Brass Band and it is here were we first see a picture of Hilda with her Tenor Horn sitting in amongst the other band members (see below) (Bound for Australia, 2014).  This was obviously an extreme rarity in Victorian banding to have a young female playing brass in a proper brass band.  Yet soon after this photo was taken, Hilda is listed as a member of the Traralgon brass quartet that contested the South Street competition in 1917 (“Bandsmen to Compete at A.N.A Competitions.,” 1917).  Hilda’s career in bands progressed from this time.

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Traralgon Brass Band, 1915?

The Sydney Ladies’ Band:

The Sydney Ladies’ band deserves special mention for being the most well-known of all female brass bands in Australia, and even more so after Hilda was appointed conductor in 1934 (Bound for Australia, 2014; Holman, 2018).  Again, much has been written about the Sydney Ladies’ Band by Holman and the Bound for Australia blog post, so this is a summary of the life of the band.  The band was formed in 1930 but had early financial difficulties however Hilda and other ladies took it over in 1934 and had the debt repaid through member contributions, paid engagements and social functions (Holman, 2018).

The band was quite busy in Sydney and participated in numerous parades and other events (Bound for Australia, 2014).  In 1936 the band broke even more ground by becoming the first female brass band to enter the City of Sydney Interstate Band Contest in the Open D Grade section against eight male brass bands (“WOMEN’S BAND,” 1936).   During the years of WW2 the band was involved in entertaining troops at various camps, however, later in the war years “the R.S.L. refused to let the band march on ANZAC Day 1945, and this was a contributing factor to the members’ decision to disband.” (Holman, 2018, p. 73).  As for Hilda Tansey, she kept up with her brass band activities and is seen in a picture from the 1960’s playing with the Randwick District Town Band (Bound for Australia, 2015).

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Sydney Ladies’ Band, 1934

Conclusion:

Against some odds there were female brass bands in Australia and these bands, for the brief time they were in existence, made their mark and gained favourable reputations.  It is unfortunate these bands did not survive; however, it is shown that their legacy lives on.  Who is to say if they were ahead of their time as some bands were started out of a social necessity, whereas other bands were started as recreation and training for women and girls.

We can look back at those times and wonder what it was like and thankfully there are the articles and photos that allow us to do that.  We can also look back and wonder at the attitudes and language from some quarters where they felt that women should not play brass instruments due to aesthetics! Nevertheless, where there was a will, there was a way as Hilda Tansey clearly demonstrated with the Sydney Ladies’ Band.

I hope that the history of female brass bands becomes better known in Australia instead of the patchwork of little histories.  In amongst all the other histories of banding in this country, this is one of the special stories.

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Burra Cheer-up Ladies Band, 1918

References:

AN AMAZON BRASS BAND. (1905, 16 August). Daily Telegraph (Sydney, NSW : 1883 – 1930), p. 8. Retrieved from http://nla.gov.au/nla.news-article237688608

THE AUSTRAL BRASS BAND. (1906, 08 February). Barrier Miner (Broken Hill, NSW : 1888 – 1954), p. 3. Retrieved from http://nla.gov.au/nla.news-article44491455

Bandsmen to Compete at A.N.A Competitions. (1917, 11 December). Gippsland Farmers’ Journal (Traralgon, Vic. : 1893 – 1896; 1914 – 1918), p. 2. Retrieved from http://nla.gov.au/nla.news-article88813153

Bound for Australia. (2014, November 29). Hilda and the Sydney Ladies’ Brass Band. Blog post Retrieved from https://boundforoz.wordpress.com/2014/11/29/1779/

Bound for Australia. (2015, January 31). Dockside with the Randwick District Town Band. Blog post Retrieved from https://boundforoz.wordpress.com/2015/01/30/dockside-with-the-randwick-district-town-band/

THE BRIGHTON CONTINENTAL. (1922, 20 January). Southern Cross (Adelaide, SA : 1889 – 1954), p. 1. Retrieved from http://nla.gov.au/nla.news-article167027361

Brisbane Ladies Coronation Brass and Reed Band [photo: 15733]. (1940). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.ibew.org.uk/vinbbp/phot15753.jpg

Burra Cheer-up Ladies Band [photo: 6239]. (1918). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.ibew.org.uk/vinbbp/phot16239.jpg

Clare Girls’ Band [photo: 3428]. (1914). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.satiche.org.uk/vinbbp/phot3428.jpg

Concert To Mark Formation Of Women’s Brass Band In City. (1940, 08 March). Barrier Miner (Broken Hill, NSW : 1888 – 1954), p. 2. Retrieved from http://nla.gov.au/nla.news-article48343327

GIRLS and a BRASS BAND. (1949, 17 December). Argus (Melbourne, Vic. : 1848 – 1957), p. 5. Retrieved from http://nla.gov.au/nla.news-article22799163

Holman, G. (2018, April). Women and Brass: the female brass bands of the 19th and 20th centuries. Acadmia.edu. Retrieved from https://www.academia.edu/36360090/Women_and_Brass_the_female_brass_bands_of_the_19th_and_20th_centuries

LADIES’ BAND PROPOSED. (1937, 27 February). Weekly Times (Melbourne, Vic. : 1869 – 1954), p. 30. Retrieved from http://nla.gov.au/nla.news-article223891110

A LADIES’ BRASS BAND: Formed at Streaky Bay. (1919, 31 May). West Coast Sentinel (Streaky Bay, SA : 1912 – 1954), p. 2. Retrieved from http://nla.gov.au/nla.news-article168197030

Salvation Army “Austral Lasses” Band [photo: 1877]. (1906). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.satiche.org.uk/vinbbp/phot1877.jpg

Sara, S. (2014, April 25). Burra Cheer-Up Ladies Band: Keeping the music alive during war’s dark days. ABC News. Retrieved from http://www.abc.net.au/news/2014-04-25/burra-cheer-up-ladies-band/5404654?pfmredir=sm

Silver City Ladies’ Band [photo: 9302]. (1940). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.ibew.org.uk/vbbp-oz.htm

Sydney Ladies’ Band [photo: H2009.32/8]. (1934, October 6). State Library of Victoria. Retrieved from http://handle.slv.vic.gov.au/10381/336537

Talbot, O. M. (1933). Photograph of the Streaky Bay Ladies’ Brass Band [photo: PRG 155/2/1]. State Library of South Australia. Retrieved from https://collections.slsa.sa.gov.au/resource/PRG+1555/2/1

That Ladies’ Band. (1934, 07 March). Courier-Mail (Brisbane, Qld. : 1933 – 1954), p. 10. Retrieved from http://nla.gov.au/nla.news-article1177047

Traralgon Brass Band [photo: 6409]. (1915?). The Internet Bandsman: Vintage Brass Band Pictures: Australia. Retrieved from http://www.satiche.org.uk/vinbbp/phot6409.jpg

WEEK’S PICTURES——IN AND AROUND THE CITY. (1923, 17 March). Mail (Adelaide, SA : 1912 – 1954), p. 26. Retrieved from http://nla.gov.au/nla.news-article63776526

WOMEN’S BAND: In Interstate Contest. (1936, 18 January). Sydney Morning Herald (NSW : 1842 – 1954), p. 11. Retrieved from http://nla.gov.au/nla.news-article17222570

 

William Ryder: The first conductor of the Prahran & Malvern Tramways Employees Band

19150000_William-Ryder_front Mr William Ryder is mentioned in the Stonnington City Brass centenary book, “Bold as Brass”, yet is mentioned as a mere footnote in a long line of conductors of the band.  He probably would have passed attention even further had it not been for a donation of photos to the band.  These photos were not only remarkable for their condition, but for the portion of history of Stonnington City Brass they have now filled in.  Discovering the story of Mr Ryder has been very rewarding, and has reinforced old ties with one of the most famous brass bands in the world, the Manchester based Besses O’ Th’ Barn Band.

Some particulars of Williams Ryder’s life are unknown but we do know that he was born and raised in England.  He apparently started out learning the Violin but switched to the Cornet soon after.  By all accounts he became a very gifted musician and was tutored by the great William Rimmer, a very famous conductor of the time.  Mr Ryder even played in the company of royalty on one occasion.

We know that William Ryder came to be in Australia when he was included in the Besses O’ Th’ Barn band on their worldwide tour in 1909-1911 as their lead Cornet.  However, his reputation had preceded him and in 1910 he joined the Wests Theatre Company in Melbourne and in 1911 became the first conductor of the Prahran & Malvern Tramways Employees Band.  This is only a small tie with the famous Besses band and they were very interested to find out about Mr Ryder’s whereabouts – Besses apparently joke at concerts about the bandsmen who went on tour but never came back!

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Mr Ryder’s prowess as a musician can’t be discounted.  Like the vast majority of bandsmen, he was active in competition and in 1912 he achieved 2nd place in the Open Bb Cornet section at Royal South Street (Ballarat).  What is more remarkable is that in 1914 he not only won the Open Bb Cornet title but the Open Eb Cornet title as well at South Street in two days of competition!  He also conducted the early Malvern band to several competition wins.

According to an early history of the Stonnington City Brass (Malvern Tramways) compiled by Mr Charles Selling, Mr Ryder left the band in July, 1914.  Mr Snelling wrote that “With the change of Bandmaster, several of our men left us, and another Band was formed in Malvern under Mr Ryder.  This combination was short-lived however.”.  Which, I might add, was a situation not unheard of in these times.  Succeeding Mr Ryder as conductor was Mr McAnally however he only had a short tenure and in early 1915 the great Mr Harry Shugg was appointed.

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Maryborough Chronicle, Wide Bay and Burnett Advertiser, 8 May, 1918, Page 6

After his stint in Malvern, Mr Ryder travelled to NSW to take up an appointment with the Rozelle District Band, then transferred to the South Sydney Band.  From this point up until the end of the First World War, Mr Ryder was part of the AIF forces as an acting bandmaster.  After the war he proceeded to Queensland and according to articles from the Queensland Times (Ipswich) 1926 and the Morning Bulletin (Rockhampton) 1931, he had been associated with the Maryborough Naval Band, Maryborough City Band, the Rossendale Band, the Ipswich Vice Regal Band and the Rockhampton City Concert Band.  As a Cornet soloist he also kept up his competing thrice wining the New South Wales Championships and wining the Queensland Cornet Championship. The last time he won this championship was in 1936 when he was 54 years of age.  Wherever Mr Ryder went he was warmly welcomed.  A journalist from the Maryborough Chronicle in an article from 1918 even penned an enthusiastic poem to welcome Mr Ryder to the town and the band!

Mr Ryder didn’t slow down in the later years of his life having been appointed to the Gympie Band in the 1930’s and in 1938 he took the band down to Sydney and won the D Grade competition against 16 other bands.  While in Gympie he also established the Gympie Boys’ Band and eventually handed over the reins of this band to his son, William Jnr.  In 1941 he joined the Military forces and conducted a Battalion band and was subsequently posted to New South Wales.  However, in 1942 he returned from New South Wales and entered a Brisbane military hospital where he died at the age of 60.  He was survived by his widow, three sons and three daughters.

19150000_William-Ryder_backMuch of the story of Mr Ryder’s life is anecdotal having come from the resources of the Trove archive and some of the Stonnington City Brass history.  I must acknowledge the active interest that representatives of the Besses O’ Th’ Barn band have in their own history as they were very forthcoming with material regarding Mr Ryder, to which I thank them.

Mr Ryder’s story is but one of many bands people who have played or conducted the Stonnington City Brass.  As I wrote in the opening paragraph, Mr Ryder is a mere footnote in the Stonnington City Band history, however he set a course for the early band and the band continues that legacy.

References:

A WELCOME. (1918, 08 May 1918). Maryborough Chronicle, Wide Bay and Burnett Advertiser (Qld. : 1860 – 1947), p. 6. Retrieved from http://nla.gov.au/nla.news-article151083205

NOTABLE BANDSMAN. (1926, 18 December 1926). Queensland Times (Ipswich, Qld. : 1909 – 1954), p. 4. Retrieved from http://nla.gov.au/nla.news-article115649816

CITY CONCERT BAND. (1931, 14 January 1931). Morning Bulletin (Rockhampton, Qld. : 1878 – 1954), p. 4. Retrieved from http://nla.gov.au/nla.news-article54688441

LATE MR. W. RYDER. (1942, 20 May 1942). Queensland Times (Ipswich, Qld. : 1909 – 1954), p. 5. Retrieved from http://nla.gov.au/nla.news-article115078488

Lawson-Black, P. (2010). Bold as brass : the story of Stonnington City Brass. Toorak, Vic.: Toorak, Vic. : Stonnington City Brass.

Stonnington City Brass. (2011). History of Stonnington City Brass. Stonnington City Brass.  Retrieved from http://www.stonningtoncitybrass.org.au/SCBJoomla/index.php/history